Camera Alignment Workshop

Camera Alignment Workshop

I just attended a HD camera alignment workshop at Local 600 here in NY. Leader USA, the company that makes the scopes, was there demonstrating the correct way to camera match with their products. It's surprisingly simple if you know what you're doing and because there isn't a detailed paper anywhere online about how to actually do it, I'm preparing one for this blog. In the meantime, take a look at this - http://www.gonos.com/index_files/Page320.htm - it's very basic but it outlines the general procedure. It was provided to us by George Gonos from Leader Instruments.

"P" vs. "K"

"P" vs. "K"

There are a lot of numbers being thrown around regarding resolution - 4k, 3k, 2k, 1080p, 720p, etc. They all seem to get lumped in together as HD but I want to draw the definite distinction between them. "K's" while being high in resolution are not HD at all, in fact they aren't even video. "P" denotes a digital video HDTV format - information that conforms to a SMPTE HD protocol - 292M, 274M, 296M and references Tri-Level Sync to maintain a frequency and cadence that can be broadcast. "K" means RAW data that must be converted into some sort of viable video format before it can broadcast. The "K's" do not utilize video sync and do not conform to any protocol or color space other then whatever has been arbitrarily assigned to them. So in other words - "P" is video and "K" is data. A VariCam or Sony F900 is a video camera. A RED is a data camera. A Phantom is either a video camera or a data camera depending on if you are shooting "P" or "K". Just because a camera is tapeless - HPX, HVX, EX1, etc. - it does not make it a data camera. The data that would be recorded to digital video tape is instead recorded to a Hard Disk but the information that is recorded is still in the form of digital video and NOT RAW data. For example, you can shoot 1080i DVCPro HD files to a P2 card, give those files to the satellite feed truck and they can be on the air almost instantaneously. Not the case for "K". Someday with some modifications, "K" or some from of it may be a viable broadcast format. At this moment however, we just don't have the bandwidth to accommodate it.

Here's the Wiki on HDTV >>>

and Digital Cinema >>>

CMOS vs. CCD - Basics

CMOS vs. CCD - Basics

The two most commonly found sensor types in both video and stills cameras are CCD (charge coupled device) and CMOS (complementary metal oxide semiconductor). Both are available in a single sensor version and more commonly for video cameras, an array of 3 sensors; Red, Green, and Blue which allows for Chroma Subsampling to compress picture information for storage and transmission. This is not an article on Chroma Subsampling, YCbCr vs. RGB, or 3 chip vs. single Bayer array. That's a whole other topic and I'll be addressing the issue at some point on this blog. The goal of this entry is merely to introduce an overview of both technologies and how they compare on a basic level.

Both basic classes of digital sensors, CMOS and CCD, accomplish the same task of capturing light and converting it into electrical signals.

CCD, Charge Coupled Device:
3CCD cameras have three separate charge-coupled devices, each one taking a separate measurement of red, green, and blue light. Light coming into the lens is split by a trichroic prism assembly, which directs the appropriate wavelength ranges of light to their respective CCDs. By taking a separate reading of red, green, and blue values for each pixel, 3CCD cameras achieve much more precision than single-CCD cameras. In a CCD, when light strikes the chip it is held as a small electrical charge in each photo sensor. The charges are converted to voltage one pixel at a time as they are read from the chip. Additional circuitry in the camera converts the voltage into digital information in the A/D or “analog to digital” conversion process. This ability to resolve colors in the A/D process is quantified in terms of Bits per color channel, 8 and 10 bit being the most common for HD video. Common production cameras using 3CCD's: Most of Panasonic's cameras, Sony F900/23, Viper, etc. CCD's also come in single chip "striped" versions. A single, striped, Super 35 sized CCD is found in both the Panavision Genesis and Sony F35. These sensors are incredibly expensive to manufacture but are arguably the highest quality with the least amount of drawbacks other than the price tag. 

CMOS, Complementary Metal–Oxide–Semiconductor:
Two important characteristics of CMOS devices are low noise immunity and low static power consumption. Significant power is only drawn when the transistors in the CMOS device are switching between on and off states. Consequently, CMOS devices do not produce as much waste heat as other types of sensors. CMOS also allows a high density of logic functions on a chip. Single chip CMOS cameras use a Bayer Mask Filter in which each square of four pixels has one filtered red, one blue, and two green (the human eye is more sensitive to green than either red or blue). This results in luminance information collected at every pixel, but the color resolution is lower than the luminance resolution. Like CCD's this color information is separated into channels and put through a chroma subsampling scheme to reduce bandwidth. In the case of RED Code RAW, the information from the chip is output as Raw Bayer data and must be “De-Bayered” (interpolated using a demosaicing algorithm) in order to be viewed. Common production cameras using single CMOS sensor: RED One, Arri D-21, Phantom, etc. 3 CMOS cameras similar to 3CCD, or 3MOS cameras are becoming increasingly common with Sony's XDCAM EX line and the Panasonic HPX300. CMOS chips tend to be more prone to non-visible infra-red (IR) light that can contaminate color saturation in video images. Though not always necessary, IR Cut filters in front of the lens is an effective way of dealing with color contamination.

CMOS vs. CCD:
Neither technology has a clear advantage in image quality. CMOS can potentially be implemented with fewer components, use less power and provide data faster than CCDs. CCD is a more mature technology and because of its "global/synchronous shutter" is far less prone to sensor artifacts than a CMOS sensor which are more commonly equipped with a "rolling shutter". This is the most immediately apparent issue between the 2 different technologies.

- Both CCD and CMOS can exhibit several of four different types of sensor artifacts: Smear, Skew, Wobble, and Partial Exposure. CCD's can suffer from vertical smearing on bright light sources, while CMOS sensors are immune to that artifact. To date, most CMOS sensors are equipped with a rolling shutter which can exhibit skew, wobble, and partial exposure. The well documented and highly undesirable problem of "Jello Cam" is caused by the way the rolling shutter scans the sensor from top to bottom. CCD's and CMOS sensors equipped with a global shutter are immune to this effect because the entire surface of the sensor is scanned simultaneously. Global shutters on CMOS sensors do exist but are extremely complicated and expensive to manufacture so are only found in more high end digital camera systems such as the high speed Weisscam HS2.

Read this in-depth and informative article on sensor artifacts by Barry Green of DVXUSER >>>

-CCD sensors, as mentioned above, create high-quality, low-noise images. CMOS sensors, traditionally, are more susceptible to noise.

-CCD's require a good deal of stable power to operate compared to higher efficacy CMOS sensors. CCDs consume as much as 100 times more power than an equivalent CMOS sensor. 

-Because each pixel on a CMOS sensor has several transistors located next to it, the light sensitivity of a CMOS chip tends to be lower. Many of the photons hitting the chip hit the transistors instead of the photodiode.

-CMOS sensors can scan and offload their footage quicker, making CMOS a more appropriate choice for high-speed cameras.

-CMOS chips can be fabricated on just about any silicon computer chip assembly line so they tend to be extremely inexpensive compared to CCD sensors.

-CMOS sensors are catching up quickly to 3CCD’s with their ability to capture a large picture on a single chip. Most Super 35 sized digital sensors are CMOS i.e., Arri D-21, RED One, etc.

-Perhaps the most hotly contested topic relating to CMOS vs. CCD is whether a Bayer array (CMOS) can match the color resolution of a 3 chip camera or striped CCD sensor. Cameras with a large, single CMOS sensor that's laden with photosites such as the Arri D-21 claim that through oversampling, true 444 RGB can be captured. Numerically speaking, the way a Bayer filter is arranged will always have twice as many green photosites as red and blue. The argument is whether or not through oversampling equal parts of RGB can be derived. One thing that isn't debatable though is that high end 3 chip cameras that are 444 capable do in fact output equal parts Red, Green, and Blue. 

Choosing a CCD or CMOS system can have a very real impact on the quality of footage your camera can shoot. While CMOS and CCD sensors do the same basic job of gathering light and turning it into a video image, they go about it in very different ways and just being aware of your camera's strengths and weaknesses is the best practical solution to the inherent limitations of the technology you're working with.

MORE TO READ:

A simple explanation of CMOS vs. CCD from Dalsa >>>

A very technical article on the topic >>>

A good article on Bayer Sensors from Cambridge in Colour >>>